Izithakazelo zakwa Mhlanga Clan Names History and Origin
As globalization has spread its effects across nations, those bearing similar surnames – like Mhlanga clan names – are dispersed throughout them all.
Mhlanga hails from Malawi and ranks 103rd most commonly as a last name worldwide, being found both there and South Africa and Nigeria. This last name has become associated with successful business figures.
Mhlanga Clan Names and Praises (Izithakazelo)
The Mhlanga clan is recognized within the Nguni people, and their praises (izithakazelo) highlight their rich heritage and lineage. Below are the clan praises and associated names for the Mhlanga clan:
- Mhlanga omuhle, owavuka nje ngamandla
- Nina baseSwatini, nina bakaMsweli!
- Nina bakaNgwane, abakwaMhlanga waseDlangezwa
- Wena kaGasa
- Wena kaNdaba
- Nina bakwaMdladla omkhulu
- Nina bakwaMangethe!
- Nina bakaMkhahluleli wesilo
- Nina bakwaMageba kaGumede
- Nina bakwaLukhangelela izulu
- Nina bakwaMdluli, abashaya ngenkomo bengashayi ngabantu
Ndebele
The Ndebele are one of the South African Bantu tribes, best known for their intricate beadwork and vibrant wall paintings. Their art often expresses traditional beliefs and culture; patterns may depict stylized plant forms or desire for prosperity in dry areas. Furthermore, initiation ceremonies (ukuwela) for boys and girls play an integral part of Ndebele life; initiates become part of its deep mysteries and join its deep lore.
Jonono was believed to be the original leader of the Ndebele people, followed by Mafana as their successor. Mafana led his people north-westward across Drakensberg Mountain range and Vaal River before establishing two settlements: KwaMnyamana (“Place of Black Rocks”) and eMaruleni, with abundant marula fruit trees available there.
At one point, his sons began fighting over who would receive what inheritance, leading to two groups within the Ndebele: Manala’s followers remained at eMaruleni while another section led by Ndzundza moved east towards Steelport River area.
Ndebele women traditionally adorned themselves in embroidered skirts with beaded waistbands, ornamental beaded rings at their ankles and neck, copper- and brass necklaces, earrings, bracelets and headdresses made up of beads; married women would additionally don beaded headdresses which they were only permitted to take off after their husband died.
Ndau
The Ndau, like other Nguni peoples, are an ethnic group distinguished by its diversity. This can be seen through their naming practices, rituals and folklore. Furthermore, this ethnic group was highly mobile during historical times; yet they remained united in their belief system: all people are children of Musikavanthu (Mlambo). Therefore they show great respect to him for his rainmaking capabilities as well as all the blessings that he bestows upon the land. Furthermore, Ngunis are well known to welcome fellow Ngunis as well as non-Ngunis alike.
Ndau identity has undergone dramatic change throughout its history and continues to change today. Traditional practices such as ngaphe yekube, piko nyora, shupa and muhizo nenjobo have given way to newer ones due to external environmental factors like intergroup contact, intermarriages and education and media policies.
Ndau people are known for their welcoming culture, which can be seen through their greeting style of using Ndauwee – meaning ‘be humble’ – when greeting each other. Participants in my study identified Ndau humility and hospitality as important characteristics distinguishing them from other Nguni peoples.
Participants noted these features through muchhongoyo dancing celebrated at regional and international performed arts events – this acts as a way of showing their pride for maintaining Nguni cultural practices while showing Nguni cultural practices are preserved through celebrating Gaza Nguni dancers who perform Gaza dancers’ unique way of showing their pride at meeting each other when greeting one another; participants in my study noted these characteristics as key characteristics that set apart the Ndau peoples from other Nguni peoples; participants noted this by saying something along these lines:
Nguni
The Nguni are an ethnicity from Eastern Africa who speak Bantu-based dialects such as Zulu, Xhosa, Swazi, and Ndebele and account for approximately two thirds of South Africa’s Black population.
Before the 19th century, Nguni society was characterised by dispersed households centered on patrilineal descent and virilocal residence. Wives could legally acquire husbands by giving cattle as bridewealth (lobola). Agriculture constituted the cornerstone of most Nguni economies which typically included herding and cattle herding as additional sources of income.
Nguni settlement patterns underwent significant change during tumultuous events known as Mfecane as large Nguni clans spread out across southern Africa by either conquering or absorbing other peoples from within their domain.
Nguni clans were formed through lineage and led by a chief. Each clan was allotted its own territory where it should live and thrive, serving both as social units with similar values, ties, and goals as well as acting as social unifiers.
Nguni cattle have undergone centuries of evolution to become the hardy breed we know today. Over the centuries they have adapted to many environments and continue to prosper in new ones, known for their adaptability and good temperament. Nguni cattle can be identified by their sleek hide which prevents ticks from attaching themselves; strong hooves; thin flexible tail; glossy skin texture.
Sotho
Sotho people used to occupy what is now Lesotho and South Africa. Their society consisted of villages ruled by hereditary district chiefs with activities revolving around rearing livestock, hunting and cultivating crops such as grain and tobacco for harvest. Furthermore, iron smelting was another activity practiced. Sotho society followed specific rules and customs, many which were tied to totemic or animalistic objects or species which often included taboos or prohibitions that defined how one should behave within society.
Key to Sotho kinship was that men could marry cousins (ngwana wa rangoane) from another clan; although this wasn’t necessary. A man’s status within his community depended upon their relation to its chief as well as age; women, however, were responsible for tending the homestead and cultivating its land.
Sotho religion recognizes one supreme God known as Modimo who can be approached through reverent interactions with ancestral spirits, known as Modimo and Modimina respectively. They should be honored during ritual feasts but may bring illness if ignored or treated disrespectfully.
Sotho culture boasts an expansive tradition of folk tales and praise poems known as ditsomo and dinonwane that are told with dramatic flair, often including audience participation. These forms of storytelling provide great entertainment while simultaneously imparting knowledge about traditional culture and values. Sotho is a Bantu language with click consonants divided between its southern and northern forms.